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DISCLAIMER
This Review has been written by Juan Velasquez (aka Old
One Eye). If you have any questions or comments about
it, please contact him directly.
Internet Mobile Audio is hosting this report because of
Juan's brutal honesty and thorough review of many companies'
products. However, the opinions and all information
contained within this review do not represent the opinions of
Internet Mobile Audio or any of its affiliate companies.
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THE ARRIVAL
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After a long, torturous drive (including a trumped up ticket)
I finally made it to Las Vegas on Thursday for CES. I went to
2 computer stores and 3 Staples to find a Sony digital camera
that takes 3.5" discs. Finally found one so this year I will
be having a TONS of pictures of the show to share with
everyone.
In addition, for the first time, I'm bringing a handheld
computer to write this report so as I find all the latest
info. (Well, should have brought the laptop instead.... its
a pain in the ass to try and type with those little keys and
even harder to see.)
For those of you who haven't tried one of these Mavica
cameras, they kick ass! I had lots of guys with digital
cameras asking me questions to see how I liked the thing. I
would highly recommend this camera to anyone out there who is
looking for a digital camera.
Well, finally made it. Took a cab to the Sands Exposition
Center and made it in no time. Last night I figured out why
I was able to find a room at Motel 6 so easily. Turns out
its next door to the Las Vegas airport, and we were under the
flight path. DOH!!
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"OLD-ONE-EYE'S" CANDID COMMENTARY
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First, it's time for me to bitch. Just about every car in
the booths that I saw still had its regular license plate on.
What are you guys thinking?!?! I hate to break it to you
guys (you might be reading this now) but if I was a bad
person (which I'm not) I could track down where you live by
your license plate. Bad news...
I thought some people might have learned after a few thefts
at IASCA a few years ago.
Where do people get off messing with other people's cars
anywise? I sat in a very nice car at the MTX booth (a green
Integra, should have pictures of it) and the guy had some
clown mess up part of his head unit installation up because
he began prying on it. He caught another guy trying to walk
off with his remote!?! I just thought people would have more
courtesy with someone else's pride and joy. Ask before you
look and touch. Another car had a compression driver give
out at IASCA finals as well because some clown couldn't keep
his hands to himself. Well, that just really pissed me
off.
The next one is my favorite. It's the assholes at the booths
that have turned lots of this business into a job and have
stopped having fun. In particular, I would like to give my
sincerest "thanks" to the National Sales Manager of the car
audio division over at Adcom. If we have any Adcom dealers
out there, it would be great if you passed my "thanks" along
to him. I come into the Adcom booth and head straight to the
car audio section. I start talking to one of the tech guys
(very nice guy, very excited about the product, told me about
all the new and great features) and then I asked for some
product information (something I had done a thousand times
before over the years). Then he says, "Why don't I get you
the National Sales Manager to help you." At this point I
said, "Cool!"
This guy comes over and looks at my badge then proceeds to
ask me some personal questions, "Had I worked in a
shop?"(Yes, I have and also at a manufacturer), "What kind of
shop do I have", and several more that were really none of
his business (considering I only asked him product
information and nothing else). I had decided that this year
I was not going to BS my way through this show. I wasn't
going to say I worked at a big shop, or was opening a new
shop or anything like that. So, someone calls his name and
he turns his back on me almost in mid-sentence and walks
off?!? I was like WTF? Sure, it's his job to talk to
dealers, but without customers and potential dealers, the
manufacturers won't have anyone to sell to. So next time
I go looking for car or home audio, I know whose product not
to look at (if the guy at the top treats the customer like
shit, I hate to imagine what the guys below him do). Well,
Adcom, I guess you can kiss one potential customer
goodbye. (For those of you, who deal with Adcom and don't
believe me, I have one of his cards that the tech guy gave
me.... his initials are R.T.)
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a/d/s/
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A/D/S and Orion are sharing the booth again this year, this
time in the Hilton. No demo vehicle this year (I guess Phaze
got the jump on the Sniper and got left out in the
cold). They had a killer amp in the booth (see the pictures)
that just blew me away. Its called the PX/a and its 8
channels, 4 x 75, 2 x 25 and 2 x 125. It has digital signal
processing used to select system format, crossover points,
gain, low-frequency contour, and surround sound options
(imagine an 8 channel amp with a EPX2 onboard). The 2 x 125-
watt channels have high current/low impedance
capabilities. They also had a woofer and set of separates
that went along with the amps "built like a brick shithouse"
theme. They had the 336PX separates (reviewed in CSR in the
last month or two) and a 10" woofer (that looks like the
midrange on the 336PX, only twice as big). The thing has an
aluminum cone, and is just beautiful. Dual 4 ohm voicecoils,
huge magnet (its hard to describe, but its very impressive
looking, great for a highlighted installation). This is the
cream of the crop from a/d/s. I didn't get to see any
prices, but I would imagine there is going to be a pretty
steep price to increase its appeal among the few select
people who can afford it. The 3 series seems similar to
last years models. Still no 3 way system like Boston, DEI,
MB Quart and a few others have. The baskets and frames seem
to be designed to fit in as many Japanese, European and
American cars as possible (seems that OEM integration is
becoming the big news this year). The A series is the bottom
of the line a/d/s stuff (I guess its the 3 series should have
been called the 7 or 8 series (like the 850csi and 750i BMWs)
and the A series should have been called the 3 series). Good
stuff, but just average compared to the top of the line stuff
and the 3 series. Seems that dealers want to be able to
offer a pricey, a mid-priced and a budget line of everything
they sell hence the A-series.
The A-series tweeters happen to use some of the technology of
the pricey 336 tweets, just without the pricey magnet and
huge crossover that those come with. The P-series amps seem
similar to last year's model, so I won't go into detail.
They did release an idat/m DAC. It appears to incorporate an
anti-jitter circuit, but from the technobabble in the
brochure I'm not really sure. A/D/S seems to have missed
the boat on this thing. All these high tech features, and
they give it only a maximum output of 4 volts. It can also
be used as a digital volume control (good idea). In
addition, they also brought out a FDI (factory direct
interface). This thing seems like a pretty good idea. Using
some type of test signal, it is able to bypass some of the
equalization used in many OEM headunits. Apparently it
injects a signal, then looks for what it looks like when it
comes out and its changes the input signal accordingly to
compensate. The more stuff like this and the CD technologies
stuff below that comes out, the bigger trouble some of the
headunit manufacturers are going to be.
The monster ADS amp with the built in
digital signal processor and 8 channels.
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ALPINE
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Lots of cool cars in the booth. Alpine pissed me off again
this year. Not even a single brochure was to be had. Even
funnier was the fact they printed up a glossy, 3 fold, full-
page glossy map to give people a tour of the booth, but no
product info. They had a Dodge Durango with a killer install
(done by Steve Brown and some other guy (Steve's car was
the Acura Legend with tons of red fiberglass that was on the
cover of AS&S). They also had a DVD 5.1 channel Mobile
multimedia system. They had a cool prototype of a fully
digital amp (not sure how it worked, but they claim its a few
steps ahead of the Infinity stuff). Introduced a couple new
v-12 amps, including for the first time a 5-channel amp.
Several pictures of the Dodge Durango (why did I put it down
as Dakota? Hell if I know). Very Cool Car!
Alpine Dakota Picture 1
Alpine Dakota Picture 2
Alpine Dakota Picture 3
Alpine Dakota Picture 4
Alpine Dakota Picture 5
Both pictures of the same thing. A CD/MD/CDChanger
controlling Double Din headunit.
Alpine Double-Din Picture 1
Alpine Double-Din Picture
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ALUMAPRO
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Came out with appears to be new loaded woofer boxes. In
addition, they seem to have more lines of woofers, some with
the cool cast baskets, others with cheaper looking stamped or
cast baskets (hard to tell). In addition, they seem to have
more colors to choose from for the cones.
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AUDIO CONTROL
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They changed the artwork on lots of the
products. Unfortunately they still have some of the features
the old stuff has (why can't they go to the nice plug in
connectors that Phoenix Gold has on its EQs and Xovers?).
The new look is cool, but some people might not like it (I
would assume that if you don't like the look on your old
AC gear, you could have them painted and then have AC resilk
screen them to look like the new gear.
They released an Epicenter Series II. Some of the new
features include Para-Bass that allows the used to contour
the system for each individual system. In addition, they
came out with the Iasys, a portable audio analyzer that does
everything and anything.
Bad picture, but it shows some of
the new silkscreening.
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BLAUPUNKT
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Let's see. Didn't really see much. They had a keycard
thingy that you slid into the in dash headunit that is used
to deter theft as well as personalize the stereo's
operating features. It has a built in processor and memory
chip for storing stuff. In addition, when the card isn't
in the deck, bright orange plastic thingy slides out and it
flashes as a theft deterrent.
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BOSTWICK
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Well, nothing really special. They have some JL Stealth box-
looking sub enclosures, just not available for as many models
as JL, MTX or any others that make them. It appears that
Bostwick is also selling wires and accessories as well
(again, probably offshore stuff just like about everyone
else).
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CD TECHNOLOGIES
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First off, why is it Clif Design, marketed by CD
Technologies?!?! It's just so confusing really. I ended up
finding out that it's the brand they use for their
components in the pre-designed system they sell.
[Ed: Actually, Clif Designs is no
longer in business, and CD Technologies purchased the Rights
for the trademark, and thus is marketing these
speakers.]
I listened to the car in the booth, which was a 7 or 5 series
BMW with a pretty interesting system. It had a pair of subs,
an amp and a signal processor in the trunk and a pair of
midranges and tweets in the kickpanels. All of this was
being run off the OEM deck. ALL of the bass seem to be
coming from the front of the car (even when the subs started
to run out of gas, it still appeared to come from the front
of the car). I don't know how they did it, but it was
some pretty wild stuff if you ask me. With a price of less
then $700 for the cheapest one, I was blown away. OEM
integration, great sound and it was cheap. My only dislike
was the fact that it was painfully obvious that it wasn't
OEM. It sounded great, kept the OEM deck, but it just
didn't integrate cosmetically. It seems that with a
little work, this could put a scare into a lot of people who
make a living ripping out OEM decks. The amps are being
manufactured by Monolithic (good stuff as well, which makes
the cheap one even a bigger bargain).
The president of CD
Technologies' personal ride. It featured a drop in box with
monolithic amp, signal processing and woofers. Also
featured in the Scosche booth (after they banged up their
demo car on the way).
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CERWIN VEGA
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Released a new 15-inch Stroker woofer (for those of you who
aren't deaf enough already). It features dual 2-ohm
voicecoils so you can wire them in parallel and get a 1-ohm
load out of your high current amps. These guys had a
minitruck in the booth that sounded like total ass. It
featured a tube driver 4 channel and a wall of subs that were
about an inch from your gray matter. Install was on par, but
the sound was just horrible (I would like to note just about
every car either had the bass cranked way too loud, or was
being drowned out by the SPL vehicles around the Sands).
They also added two prebuilt boxes loaded with stealth
subs. A ten and a twelve-inch model are available.
This is a demo truck with a
Butler amp that sounded really bad.
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CLARION
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Hmmm. Why in the Hell would your release a 32" woofer? I
mean, this is one of the stupidest ideas from a fairly
respected manufacturer. At the same time, they came out with
one of the coolest headunits at CES. It seems odd that the
same people responsible for one are responsible for the
other. Back to the woofer. The woofer box was about the
size of a pretty large rear projection big-screen TV. Who is
going to be able to fit this in their car? Even funnier was
the fact that the woofer was hooked up to a HUGE amp with
about 16 gauge wire (hmmm... that was smart).
Now, the cool stuff. Clarion introduces the AutoPC headunit.
It's the worlds first MS Windows CE based system integrated
for the car environment. It does everything (imagine the old
CAL-1000 taken several steps further). Built in 10 band EQ,
35 watts x 4 (Uh... is anyone ever going to come out with
realistic headunit output levels?). Voice activated controls
with a 200-word vocabulary, voice memo, address book,
navigation, mileage log, text-to-speech features, detachable
face (something everyone should do on their top of the line
stuff (like Alpine)). Its got a slot for flash memory, USB
interface, runs a CD or CD ROM, has an 8 color display (its
DIN sized with the front folding down to get to the CD slot).
It's an open platform like a PC so it can be upgraded at a
later time if needed. (I just hope they put a reset bottom
on the damn thing, since I'm sure the one in my home PC is
starting to wear out thanks to Windows 95). In addition,
you'll be able to upload stuff using infrared from your
handheld or laptop computer. It has a 60MHz processor. In
addition, they have a 6-disc changer/CD ROM changer that goes
along with it. Here are more of the features. DSP, 8 Meg
flash memory, GPS receiver, interface with an Ungo alarm
(like the alpine AI net alarm), cell phone/modem interface,
and much more. In addition, you can have the deck do what
some of the fancier high end American cars do (like call for
emergency help, help you find your way if your lost, remote
unlock if you lock your keys in the car, security monitoring
(like the teletrac service)). It will also let you receive
pages (like the Motorola alphanumeric pager) as well as
traffic reports sent over the pager. It addition, you can
also forward your email with sender, subject and the first
two lines sent to you in your car (?).
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DEI
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The first booth I hit was the DEI booth. I'm not really an
alarm techie so I just kept walking. I did bump into John
Durbin and talked to him for a little while. They had set up
a hotline that connects you to the nearest dealer
(cool). They also seem to be pretty proud of their ISO 9001
certification (not sure what it is, but seems like lots of
people are claiming they have been certified). Its a quality
control certification, so those of us out their who don't
want to get stuck with junk should look to see if their car
audio, home audio (or just about anything electronic) carries
this. DEI was issued a patent on a dual or multi-stage shock
sensor. Supposedly, this has some new technology (can't
really patent something that has already been done). They
also released some tube enclosures, a 3 way speaker system
based on their 6, 4 and tweeters with a supplied crossover.
They didn't have a vehicle on hand so I didn't get a
chance to listen to it. They also announced, earlier in the
year, they would offer lifetime warranties on all DEI amps
installed by authorized dealerships. Also have some cruise
control stuff (not really anything that interested me so I
kept walking).
DEI also marketed some wire and sound accessories (I say
marketed because unless I'm mistaken, they don't make
any of their stuff). Again, like most of the stuff on the
market by most people, it looks pretty generic.
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DIAMOND
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Debuted some new motorsport separates (similar cones, cheaper
steel baskets). In addition, they introduced a midbass
crossover that will allow you to add an additional driver and
make a set of 2 way components into a set of 3 ways.
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DYNAUDIO
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Dynaudio had Al Fillippi's car in the booth (the Blazer
that was featured in Stereophile magazine (?!?!) and should
be featured in any of the magazines). After listening to
this car, I think I'm going to be running Dynaudio's in
my car. This car made me want to get a job (actually, the
system in the car, not the car itself). I really didn't
see much (I guess you can bug Peter Lufrano over at the
Autophile or go to www.dynaudio.com if you
need more info). Two words. Wow and Wow. This thing
sounds great, cool looking too.
Blazer Picture 1
Blazer Picture 2
Blazer Picture 3
Blazer Picture 4
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DYNAMIC CONTROL
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Released a new sound deadener. Had a cool Camaro in the
booth as well. The sound deadener they released is similar
to the Rockford blue spray on deadener, but its supposed to
work just as well if not better and be cheaper (I'm going
to have to try this stuff out, its about half the price of
the blue stuff). It is also water soluble, paintable and is
available to spray with your gun or in an aerosol can.
Vintage camaro that was featured in the Dynamat booth.
Camaro Picture 1
Camaro Picture 2
Camaro Picture 3
Camaro Picture 4
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EARTHQUAKE
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Normally I would have bypassed this booth, but they happened
to have a Ground Zero-looking sub in the booth so I had to
take a look. Apparently it looks like they had GZ OEM the
stuff for them (not sure, but that's what it looked like
to me). To make them stand out even more; they had the
Earthquake logo placed on the dustcap.
Earthquake's knockoff of the
Ground Zero sub. They also use this sub in a home theater
box they are selling.
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ECLIPSE
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They had a new single din in-dash deck similar to the Alpine
in-dash with the built in TV. This was a very cool looking
TV. It holds a 5.8" screen and controls just about anything
that Eclipse makes. It folds back and slides back into the
dash as well. It features the NOB rotary encoder, and can be
adjusted at different angles for best viewing position. It
also features the ESL security stuff as well. They also
released a double din with a monitor built in. Similar
features as above. Some of the high-end CD players and
receivers seem to be the same as last year, except the models
say R (i.e. the 5303R is the new model). All the high end
decks seem to have gone to the NOB knob which seems pretty
cool (played around with one at a shop, like it much more
then up and down buttons but not as much as my old 7909).
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MEMPHIS CAR AUDIO (FULTRON/ARIA)
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Yep, Fultron's new name is Memphis (as in the home of
Graceland). Arthur Fulmer, the head of Fultron said he
wanted a timeless sounding name, so they went with
Memphis. Didn't really see any new product at the booth,
besides the knockoffs of the old Soundstream Reference
amplifiers.
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GROUND ZERO
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These were the subs people have been talking about. Featured
in the Sunfire True Subwoofer, these things are MASSIVE. The
top of the line Nuclear Series is just HUGE. Three inch
voicecoil and linear excursion up to 2.7” (?!?!). The
surrounds on these speakers are almost an inch wide and are
VERY stiff (this speaker is unlike anything I had seen
before).
[Ed:A quote from Richard Clark best
describes this, "Being this stiff is like driving a car with
the front brakes locked."]
The most puzzling thing I saw in the booth was premade boxes
already loaded with the drivers. If your going to drop the
type of cash these speakers run, why would you go out and get
a premade box? Or an acrylic box? Great products, but their
marketing seems to leave a bit to be desired.
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HIFONICS
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New Industria series amps and speakers. Built in Xovers with
RCA outputs as well, 2-ohm stable. Honeycomb cone on the
woofers. Generation X amps look like the same ones released
last year.
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JL AUDIO
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Came out with a JL W3 series. Someone at the booth told me
to imagine a w6 and a w0 series woofer having sex. The W3 is
the offspring it would have. The w7 is nowhere in site (Steve
and Manville were very tight lipped about it). The W3 isn't
ready to ship just yet, but they said it would be out in the
next month or two if I remember correctly. The Powerbump
backplate provides exceptional mechanical clearances. The
surround is made out of foam and has a huge excursion. The
W3 also has a vented reinforcement collar that makes it more
reliable as well as pumping air directly onto the voicecoil.
They have received a patent on this, so you won't be
seeing this on any ultimate audio subwoofer in the near
future (these were the guys claiming their woofers were just
like the w6s, only cheaper). This thing has up to 1 inch of
linear Xmax. This is the best part, they will be available
in dual voice coil 2 ohm, 4 ohm and 6 ohm drivers, so those
who have high current amps can go crazy with these. They are
designed for smaller sized enclosures, with power handling up
to 250 watts. If you need more info, you might want to check
the JL Homepage at
www.jlaudio.com.
They had a nice Audi in the booth featuring 10W3 woofers in
the rear deck and I'm assuming their new separates. Didn't
get chance to listen to it but it was very nice. Also had a
prototype stealthbox for a 911. Very nice as well (have to
be if Z-box is still making stuff). They also introduced a
new stealthbox for the Toyota Tacoma truck.
The Audi in the JL booth. Very cool install (but its hard to
photograph through glass so you'll have to take my word for
it.
JL Audi Picture 1
JL Audi Picture 2 (Outside)
JL's new line of Coaxials
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KEF
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Another interesting experience. Guy comes over (turns out he
is one of the bigger cheeses, so I guess I picked the wrong
guy) and I ask him for a brochure. He tells me that they were
only planning on only having 70 dealers nationwide for KEF,
so I wasn't going to be getting any KEF brochures. They
had the Suburban that was featured in CSR. It has 5.1
channel DTS multi-channel audio decoder. Won't be out for
a while, so it might be a while so don't run out looking
for one of these. Also had a cool hotrod, and a really cool
demo room running the 5.1 channel stuff. WOW! Man, time to
upgrade again (either that or I get to eat and pay
rent... still deciding).
A couple of pictures of the hotrod in the KEF booth.
KEF Hotrod Picture 1
KEF Hotrod Picture 2
KEF Hotrod Picture 3
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KICKER
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Kicker had a cool booth going. They had a guy doing card
tricks (really killer tricks mind you, with him being able to
guess what word you had picked out of a book and making an
image of a randomly picked card appear on a Polaroid
picture). They also had Frank Rougeou's Honda Civic in the
booth. 97 IASCA champ, 97, 96, 95, 93 and 92 USAC champ
(damn, doesn't this guy get tired of winning?!?) Nice car,
Ranes on the passenger floorboards that tilted up, EQTs on
the driver's side, and two kicker amps, one behind each seat
recessed into the floor. Kicker was celebrating its 25
anniversary (actually Stillwater made stuff other then car
audio so its really not their 25th year in car audio). They
came out with lots of 25th anniversary stuff. They had
silver anniversary models of amps and subs; all with what
appears to be very polished aluminum or chrome finishes. All
the silver anniversary subs have different writing on the
cones to distinguish them from other tuff.
New for this year is the cone on the Solobaric. It
doesn't have a dustcap, but the cone and dustcap are
actually one piece. It seems like the XPL finally got a cast
basket (after using the basket off the competition sub last
year). I'm not sure if it's new, but they have a
multi-module docking port that allows you to use two of the
modules on one amp. New modules include a Parametric Bass
Module, Active remote gain crossover module, KickerEQ
(basically an PunchEQ circuit), and the Multi-Module docking
port. It seems that kicker is trying to get in on
competition teams, and has the Kicker Competition Group. The
Impulse 2252xi 2 x 225 watt, 356xi 6 x 35 watt amps are new
for this year, with 2 new crossovers added to the Impulse
line, a 2 way and a 3 way 18 dB/octave. In addition, they
introduced an Impulse BassStation power subwoofer enclosure
using smaller amps and Impulse drivers.
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KOVE
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This is the company started by Gary Kovner (head of Lanzar
before it took a dirt nap and was bought by Sounds Around,
makers of Pyramid and Legacy). Nice guy that's excited about
the gear. Kovner had some interesting news. He had gotten
Mick Fleetwood, Rikki Rocket (hell, this guy is probably the
only one besides Gary remembers who he is) and a few other
guys to switch to Kove stuff. (Here is the part that got me
thinking, if you only make speakers (like Kove does) what
happens with the guys who run all Lanzar gear that switch to
Kove speakers? Do they keep the Lanzar stuff or is Kove
going to spring for amps as well (as a manufacturer, speakers
are cheap to get, amps aren't especially if you don't
make them). Kove was able to hang onto the majority of the
crew that made Lanzar what it was up until a few months ago
(then again, most guys would rather work with a bunch of
people they know in a place they like (sunny So. Cal) then
has to pickup and move out to the East Coast). For a guy who
had his company go bankrupt, have it put up for sale,
tentatively bought by one company, then bought by Sounds
Around, Kovner seems to be doing pretty well. Considering
how much time they had, they were able to get a relatively
good booth, print up a pretty nice sales brochure as well as
a team Kove newsletter.
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LANZAR
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Lanzar has similar stuff from last year (they dragged out one
of their old show cars). They were stuck sharing a booth
with Pyramid and Legacy stuff. They had new low cost stuff
(looks an awful lot like cheap pyramid or legacy stuff). They
are the Vibe line and are very low price (and low price
looking). In addition, they had some coaxials that were
weird looking. Similar looking to the JL audio bridge over
the tweeters, but they have 3 legs instead of two. In
addition, they have a Steel Bass line that is above the OA
series.
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LIGHTNING AUDIO
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Introduced a Strike line of wires (knock-offs of the
Streetwire stuff, but I'm assuming much cheaper (and
probably offshore). The wires are silver and blue
translucent jacketing. Introduced a new battery with a
voltmeter built in (unless I keep my battery in my dash, I
don't see why it would be of much use, although for those
who have SPL vehicles and keep them in the back it seems like
a good idea). Compact battery, very cool, lots of output (it
seems that Lightning Audio might become the runner up to
Streetwire.) They come out with tons of cool stuff every
year but have to compete with Streetwire coming out with even
cooler stuff, like a team trying to win a championship while
Jordan is still playing). They released a cap with digital
voltmeter on top (I'm wondering, if they can sell a cap
with a cheap voltmeter on top, why can't we just get a
cheep voltmeter by itself? How about just incorporating a
voltage sensor right into a headunit?) as well as some
platinum colored distribution blocks, fuse holders and other
accessories. Visually the stuff is second to none (besides
the Streetwire). Some of the accessories they introduced are
really just offshore stuff, but to differentiate themselves
from everyone else, they have blue clear acrylic instead of
just regular clear acrylic which makes the stuff stand out
even more. They also introduced something that looks similar
to the Orion MBR (multi battery regulator). Basically, it's
an electronic battery isolator that isolates several
batteries and is much easier to install in most cases.
Besides that, they had the Gates Bronco in the booth, and on
Sunday they decided to crank it up (everyone was packing so
their wouldn't be any SPL police handing tickets out).
Thing is LOUD (funny thing is that the car doesn't really
rattle as much as some of the other SPL vehicles I have
seen).
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MB QUART
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Biggest news is the Q series components. Midrange drivers
have a very small (but powerful) neodymium magnet. Some the
advantages are the small size as well as the fact that it's
supposed to be magnetically shielded. They have a die-cast
aluminum frame with 1.5" voicecoils. The tweeter also has a
neodymium magnet with Grade 1 titanium. Apparently all these
hi-tech goodies let them use a simpler crossover design (hmm,
I thought Dynaudio had already figured that one out). The
crossover is a beauty. Musicomp with very high grade parts.
It also has an extruded aluminum case with a Plexiglas top.
In one word: cool - in another: pricey. They are priced in
the 700-800 bucks range. In addition, they made it so they
will drop into the same spot as other .03 referenz stuff, so
it allows you to have easy retrofit if you decide to upgrade
at a later time to the Q-series.
They also had what they liked to call "bolt on performance".
Basically they are putting application specific packages
together (like for some later model American, European and
Japanese cars) that are all supposed to drop in. They also
released a new tweeter, the RNX 25. You guessed it; it is a
metal dome tweeter. Titanium dome with neodymium motor. They
have also started to package just about every speaker short
of the autobahn and the referenz with Musicomp crossovers.
I'm not sure what is going to happen to all those guys who
blame their SQ problems on the lack of Musicomps crossovers
instead of their lack of installation skills now that they
throwing them in with most of their speakers.
The new Q-series speakers. Very impressive looking.
Q-Series Picture 1
Q-Series Picture 2
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MCINTOSH
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Lets see, they had a new MD4000 model (in essence a rebadged
clarion CD changer controller with a small display and
remote). Funny thing is it will take them until the summer
to put some McIntosh silk-screen on a Clarion product. Also
new is a MCC446, which is a 4x55 watts + 2 x 110 watts. It
has built in electronic xover, powerguard, and Lexan top. In
addition, they are revamping all their car speakers by this
summer. The 4", 5", 6", 6"x8", 8", 10" and 12" will all be
changed.
Mac introduced some new amps, with a 300 x 1 mono amp
available this fall, a 2 x 110 watt available this summer,
and a 2 x 40 available this summer.
The new amp in the Mac room.
It's about 3 feet long and those are output
transformers.
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MONSTER CABLE
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Released a mini-XLN RCA wire. They also had the tube they
use to compare XLN cable to the competitors (this tube is
supposed to simulate a car because it is rigged in a way that
it puts out lots of noise). The part that got me is they
were comparing the XLN twisted pair to Streetwire's old
non-twisted pair cable (Streetwire has 3 lines of twisted-
pair RCA, but they choose to use their non-twisted pair for
their demonstration. Hmmm..... That's really fair.) They
had a killer 911 with a Sony XES system (amps painted to
match the car as well). They also had the yellow Ferrari
that was featured in CSR a few months ago (it was also inthe
booth last year). Very nice. Since last year they wouldn't
even let you look at the cars cross-eyed, we were surprised
people were hopping in and out of both cars (since both cars
probably belong to Noel Lee the head at Monster Cable).
Either way, I felt like Mike Meyers in Wayne's World eyeing
the guitar in the glass case. One day...
Noel Lee's 911 turbo with a Sony
XES system. Its good to be the (cable) King.
That's a speaker with a
human hand in front of it. It houses an 18 inch woofer and
2, 8 inch or 10 inch mids (don't remember).
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MTX
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They had a nice booth this year, even though the same semi as
always with different gear on the inside. Mark Eldridge's
hard-to-beat 4-runner was in the booth. Had a last body
style Mustang that was featured in CarSound. It was a very
nice install. Had a computer controlled "thingy" that
monitored temperature, voltage, and apparently switched the
car from SQ to RTA settings. Eldridge's 4-runner had they
same computer and display (where do I get one of these). They
had temperature sensors manufactured into the sub woofers to
monitor the temperature with the computer. Very trick (again,
how do I do this?!?!) I got pictures of some of the stuff in
the mustang that was pretty wild (saw both the competition
books but wasn't really going to take pictures of these).
There is a TON of work in both of these vehicles (even more
then appears on the surface (there appears to be a ton of
work done on the surface as well). MTX had lots of goodies.
First off, they had new heatsink designs. Imagine the new PPI
gear, but with a rougher texture and not so rounded. They
are available in black or white as before. As an added
bonus, they have throw in a T- shirt in every amplifier box
(nice bonus if you ask me). They have introduced new high
current amp. 25 x 2 (IASCA ratings) with output at 65 x 2 at
14.4 volts with 700 watts bridged into a 1 ohm load (when is
IASCA going to get real with the power classes? Some
companies bend the rules others just break them (like Orion
or Soundstream)). They also finally put in crossed over
outputs. So you can set your amp to have a high pass or low
pass output (250X, 275X, 2150X, and 2300X only). Symmetrical
power supply (2150X and 2300X) distributes heat evenly,
supposedly to make it more reliable. These amps also have a
port for an Extended Bass Control (like the Phoenix Gold amp)
that let you mount a knob up front to let you control the
gain. The also switched to individual gain controls for each
channel. They claim to be using bigger MOSFETs (they look
pretty close to the same size to me) for better power
stability. The amps are also supposed to take an 8-volt
input (which I thought they took before). All the thunder
amps have changed power output. Instead of 240, 280, 2160,
2300, 4160 and 4320 you now have 250, 250x, 275x, 2150x,
2300x, 225HO, 4200x, 4300x and 5400x. They each put out
25x2, 25x2, 37.5x2, 75x2, 150x2, 25x2 high current, 25x4,
37.5x4 and 25x4 + 100x1. As before, the IASCA rating is
about 1/2 to 1/3 of the dynamic14.4-volt rating. The 4
channels also have an output that would allow you to run a
summed output to another amp (like as a subwoofer amp). The
5-channel amp also has a digital class D amp used to drive
the sub channel. Although thespecs are preliminary, looks
like a killer amp. The signal processors look pretty much
the same to me so I won't go into detail (that's what www.mtxaudio.com is for).
They had lots of new stuff in the speaker department. Most
notables were the Thunder 7000 subs. A step up from the
thundercast, as they work in smaller boxes to boot! Cast
basket, plastic surround that is one piece with the gasket,
2.5" voicecoil, 1000 watt power handling (1500 watt for the
15"), asymmetrical linear drive technology, rubber boot to
protect the magnet, 4, 8, and 12 ohm models are just some of
the cool features. This is MTX's flagship driver. The
Thunder 3000 and 5000 didn't seem that exciting in
comparison. This is the basic, bottom of the line driver.
None of the high tech features of its two older brothers
really. Foam surround, stamped basket, and not even a 12-ohm
model available.... Cinderella's ugly stepsister if you ask
me... then again, the ugly ones need loving too. The Thunder
5000 is more like it.
MTX also released some wires and accessories. Not to bag on
anyone, but, besides the RCA wires, the stuff looks like just
about everything else on the market (probably made offshore
as well, just like most of the stuff besides Streetwire (hey,
I could be wrong, but if your going to spend all the money
that it takes to make your own wires and accessories, why
would you make it like everyone else's stuff... so if MTX
did make the stuff, it spent way to much time copying the
competition).
Also released some JL audio stealthbox-like prebuilt
enclosures. (I like the typos in the brochure
though... "...it also had to have enough density to dampen
any resonances" (where do I put the water so it can *dampen*
the resonances?). Anyway, besides that this seems like a
good idea. They look like textured vinyl, with the ability
to get them to match your car. They introduced models for
the newer Ford Ranger, newest Ford Ranger, Ford F-150, Ford
Exploder, Chevy Suburban, newer GM F-Bodies, Dodge Ram Extra
Cabs, Dodge Dakota Club Cab, Toyota Tacoma, Chevy Extra-Cab,
Mitsubishi Eclipse with more to follow. Most take 10"
woofers.
Here is a cutaway view of the new
Thunder 7000 amp (held by none other then MTX's Grizz
Archer).
The Acura in the MTX booth. Very nice job on the horns
painted to match the exterior,and an aperiodic setup in the
trunk.
MTX Acura Picture 1
MTX Acura Picture 2
Three pictures of the MTX mustang that won USAC. Very nice
(the really grainy picture is bad, but if you know the
Mustang you know they went through a lot of work to get the
headunit and computer display up there).
MTX Mustang Picture 1
MTX Mustang Picture 2
MTX Mustang Picture 3
The new MTX thunder forms,
available in colors to match your car.
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ORION
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Came out with some new stuff. Have a picture of the TREX amp
(not sure what it is, what it does, or anything else, but I
got a picture of it. They also had an amp called the Reactor
I think. New is the 105R HCCA (25x2 and 50x2). All the HCCA
amps are now -r- series. New heatsinks for these amps, and
they now have built in crossovers. They can also set up the
first amplifier in a chain to act as the master and the rest
as the slave for gain and volume control purposes (so that
when you change the gain on one, I guess all the rest change
as well). The HCCA amps also incorporate a port that allows
you to control the gain remotely from the dash (not sure if
it's a knob or something else).
The XTReme line has the same new graphics and heatsinks as
the HCCA only in black. They also incorporate the internal
crossover, remote gain, and signal routing features of the
HCCA. Two new models are available. The XTReme 400 and 800
(100x2 and 200x2 respectively). They fully redesigned the
XTR separates (remember Orion and a/d/s/ are owned by the
same company). Last but not least, they introduced the
DEQ-30 (what was shown as a Concept piece a year or two ago).
It's a 30-band digital EQ with a built in DAC as well as
digital, balanced and unbalanced ins and outs.
No clue what it is besides another
monster from the people that brought the concept
stuff.
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OMEGA/EXCALIBER ALARMS
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Released a gold series of alarms (I guess the other stuff was
available for purchase out of gumball machines last time I
looked). One interesting feature is a window module about
the size of a package of gum you mount on the windshield. It
has the valet switch and a digital indicator telling you what
is going on as well as a LED that flashes. Not sure I like
the idea, but seems cool none the less.
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OZ AUDIO
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They released a new P series powered sub woofer line. These
are bandpass enclosures with built in subs and 200-watt amps.
In addition they have some midrange drivers which feature
solid-body cones, flat piston drivers.
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PANASONIC
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Released a double din receiver featuring tape and CD
functions as well as controls for Panasonic changer. Also
features a four-color display.
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PHAZE AUDIO
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They have come out with a new look (the amps have gone from
having champagne looking gold to a silverish color. They had
the most beautiful car I have ever seen. It was called a
Sniper, a 50s or 60s hot-rod dropped onto what appeared to be
a Viper with viper brakes, motor and suspension. This car
was incredible, a work of art by Troy Tepenier (sorry for the
misspelling, but this is the guy who had done the last two
cars that graced the Orion booth). I got several pictures
for those of you that haven't seen this car featured in
many hot-rodding magazines.
They have introduced a 4 x 75 amp (reviewed in CSR) as well
as a 3 way balanced xover (I think it has tube circuitry in
it) as wellas a tube line driver. The tech guy I talked to
was pissed that they had taken the prototype out of his car
to put it on display (now there is the type of guys I like
talking to at CES. They love music and cars and see CES as a
chance to see other people with similar interests). They had
also signed on Michael Anthony from Van Halen and Billy
Gibbons from ZZ Top to endorse the stuff. They also had some
Ottomusic drivers (not sure if they are new this year, but
the truck they had last year with these drivers sounded
beautiful.
A tube xover and tube
line driver. All they need to do is a tube EQ and some tube
heads will be set.
Well, here are several pictures of the Sniper, the killer new
rod from Troy Tepanier (sorry for the misspelling), the guy
who did the last two cars featured in some of the Orion ads
and brochures.
Phaze Audio Sniper Front
Phaze Audio Sniper
Interior 1
Phaze Audio Sniper
Interior 2
Phaze Audio Sniper
Interior 3
Phaze Audio Sniper
Interior 4
Phaze Audio Sniper Rear
End
Phaze Audio Sniper
Rear Valance 1
Phaze Audio Sniper
Rear Valance 2
Phaze Audio Sniper
Engine
Phaze Audio Sniper
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PHOENIX GOLD
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Had the new Reactor amp (thought I had taken a picture of
it). Its two of the newer amps on a single chassis (like the
frankampenstien, son of frank amp enstein, etc.). Limited
edition, looked pretty killer. New this year is a budget
line of amps, the QX series that are already out. They
introduced a 100 x 2, 50 x 2, 35 x 2 and 50 x 4
amps. Supposed to be replacing the Sapphire line. Besides
that, it all looked the same to me. All the ZX and ZPA amps
nowcarry .v2 designation added to the end of it. Not sure
what it means, but I guess it must be special (don't even
go out of the way to describe what the v.2 means.)
Phoenix Gold's newest
preloaded Sub boxes
A picture of the 99,000
dollar amplifier that comes out in the CSR and CA&E product
guide issues.
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PIONEER
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Pioneer had some pretty cool stuff in the booth. They had a
dragster in the booth (no stereo though) and that was about
it for car audio. They had a navigation screen that was set
up with the aspect ratio of a HDTV monitor (really wide like
a letterbox movie).
They released a woofer with diamond plate looking
indentations on the cones. They looked like aluminum but
were in fact plastic (pretty cheesy if you ask me). Available
in three flavors (free air, low-Q and DVC low-Q). In
addition, they had some new amps, with new cosmetics. In
addition, the new changers are available with optional voice
control, disc memory and disc memory. They have introduced a
slim-line remote that looks similar to the skinny remote that
Alpine has. The coolest thing (besides the wide-screen in
car monitor and the flat panel HDTV) was the double din radio
they had. Voice naming (optional) Hi-Bit Legatio Link DAC,
digital compression (why doesn't every CD player have
this?!?!), built in 13 band front and rear EQ, 13 band auto-
EQ, DSP, motorized front panel, spectrum analyzer, pocket
fisherman, you name it, this deck has got it. It also plays
tapes as well as CDs and controls a CD changer (a choice of
1, 6, 12 and 51 disc changers).
The new pioneer amps
cosmetics
The Pioneer dragster that was
in the booth
A Carrozeria (Pioneer in
Japan) wide aspect ratio monitor
The woofers look like diamond
plate, but its a plastic cone
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PRECISION POWER INC.
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PPI is celebrating its 15th anniversary. It is also
celebrating its sale to Phaze Audio/Butler. They introduced
a limited edition, $10000 amp to celebrate as well in
addition to offering all its regular amps and processors with
a chromed finish, silk-screen lexan bottom plates and
certificates of authenticity. The 2500F1 amp is pretty wild
looking. Its huge, being 25" x 16" x 4". It includes a
balanced line driver as well as a dash mounted status
indicator. You should be able to see it and their other
items on their new web site after February 1. www.precisionpower.net It
looks like solid brick with a window on the top so you can
see how much overkill the amp has on the inside. Cool amp,
but way too much dough. On the plus side its supposed to put
out over 2000 watts into a 4-ohm mono load. New this year is
a Power Class Pro 15" subwoofer.
PPI's limited edition 15th Anniversary
amps, in chrome
The $10,000 15 anniversary 2x500 watt PPI amp (2500 F1)
PPI 2500 F1 Picture 1
PPI 2500 F1 Picture 2
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ROCKFORD FOSGATE
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RF has released some new features on its "Star Trek" amps.
Its called MEHSA (Maximum Efficiency Heat Sink Application).
It allows the output transistors to be mounted on the
heatsink in such a way that they transfer more heat to the
heatsink. Weird thing is that they aren't held down by
anything (like a screw or a bar). This is supposed to
increase reliability and thermal stability as well. From the
looks of it, the endcaps are now available in gray to match
the amp as well as brushed silver or brushed silver color.
They also have a punch link that allows two or more of the
maps to be chained together (seen pictures of the endplates
painted several different colors and it seems that just about
any color looks better then the gold they decided to use last
year). The amps (or at least the power amps that I saw)
appear to be available in a chrome finish (these amps are
beauties without those gold endcaps.) They had a vehicle in
the booth that seems to be a repackaging of last years
vehicle (too bad, its a nice car, I just don't want to see
it two years in a row). RF released the biggest amp ever.
Apparently with MEHSA they are able to achieve 5 times better
heat transfer. This 500.2 yields 1500 dynamic Watts.
This year they released a successor to the PA1 (actually it
would be the PA1HD), a half din EQ with 4 bands, 6 outputs, 4
inputs, 9.5 volts RMS of output voltage). They also released
a PunchX, a 2 or 3 way xover with up to 6 outputs, 12 dB
slopes (come on Rockford, jump on the 24 dB/octave xover
slopes bandwagon before the nineties are over.) This one
also takes up to a 10-volt input (great if you're running one
of the Rockford head units or a line driver). The woofers
look similar to last year, with different designs on the
dustcaps. The Power line is still the Corvette of the line,
with the Punch line being available in single and dual
voicecoil flavors. The Series 1 seems to have been replaced
by the RF series (probably happened last year, but I don't
keep up with this stuff as much as I like too). They
developed a new line of separates that look pretty impressive
(I have always been pretty impressed by the RF subs, but
never the mids and tweets but these just might change
things). The line is called the fanatic Q line. Molded ABS
plastic frames, glass fiber cones, rubber surrounds, aerovent
cooling and flat black spider are some of the features on the
mids. The tweeters are aluminum with silk edge surrounds,
ferrofluid cooled (whose tweeters aren't at this point?)
and can be mounted flush, angled or surface. The Xovers are
first class as well. 24 dB octave high pass and low pass
(why can't they do this with their electronics?!?). The
Xovers are shaped like the amps with smoked acrylic tops
(cool if you ask me). Tweeter attenuation, Mylar caps, 0/180
degrees switches and my favorite optical tweeter protection
(WTF is this? they list it as a feature on all their new
separates. Is it just technospeak (like garbage man becoming
waste management engineer) or is this a real feature? In
addition, they have a feature that allows you to add second
pair of midrange to the front fill or a rear fill with
attenuation. The fanatic X series offers similar looks, but
different stuff. Universal (let me guess, stamped steel?)
baskets, poly cones, plastic surrounds, silk dome tweeters,
ferrofluid cooling, 18 dB/octave high pass, 6 dB/octave low
pass (how much more expensive could it have been to drop in
an extra cap or coil or cap and coil and made this a 12 or 18
dB/octave?). At the bottom of the rung is the fanatic P
series. Similar to the X series, but with a cheaper inline
tweeter xover, Mylar dome, and foam surround. The brochure
and the booth are pretty snappy. My favorite though is the
pictures in the brochure. Most feature women and the few
that don't gave me a good laugh. My favorite is the guy
with his television sitting on top of his dual woofer car sub
box (the prefab ones). Has anyone ever placed magnets close
to TVs? Not exactly good thing to try. RF's biggest
news was their new Triple X RCA's featuring gamma
geometry. Apparently, instead of twisted pair, the wires only
come across each other perpendicularly (not sure if this
works or not, then again twisted pair technology is something
thephone companies have been using for years... maybe this is
the new technology that we need). They do have almost 50
patents pending for this stuff, so there has to be something
there (I hope). Funny thing is that they say its better then
twisted pair, but they still sell twisted pairs aswell. In
addition, they also have a gamma series speaker wire that is
woven like the RCA wires. It claims to reject noise better
then any other speaker cable on the market (mind you that
speaker wires don't really pick up that much, so its
really not that weak of a link in the chain). Visually it's
very cool looking, but I'm not sure if it will work or be
noticeable. To match the amps and speaker x- overs, they now
have distribution and fuse blocks that match. In addition,
they have a fuse hold that is shaped like the RF logo, and
also had some woofer boxes like the JL audio stealth boxes.
A picture of the new Rockford power
amps (with the chrome heatsinks)
The new MEHSA way of mounting
the transistors to the heatsink (notice their are no bars or
screws holding them down)
RF separates picture
1
RF separates picture
2
The new Rockford
Stealthboxes (let me guess, they probably will call them
Punch boxes or something).
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SCOSCHE/EFX
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Scosche released some new capacitor buss bars (featured in
several ads already). In addition, they are featuring caps
with the monitors on the top as well as an in-dash capacitor
monitor. Its half din, has 20 LED and its basically a
digital VU meter in your dash. After about two years of
dragging their feet, they finally released a twisted pair
RCA. It has a cool braided nylon jacket, and all the
features you would expect when you have 2 years to catch
up.
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SONY
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Sony's has been trying to push MD for years in the
US. After going back to the drawing board (marketing wise,
plus the fact DCC is pretty much dead) Sony gave MD a big
push in Japan, followed by one in Europe, and now its the
US's turn. It has dropped the price of most of the MD
gear, trying to get it to a level where people can afford it.
They introduced a MD receiver, a MD changer that dropped from
$700 to $500. In addition, they have added the rotary
knob that the CDX-910 has on some other models. The coolest
thing I got to see (I didn't see any of the ES stuff, but
was told that the CDX 910 was going to be replaced at some
point later on in the year) was the double din deck. Cassette
and CD with CD/MD controller built in. It lacked a
detachable face or anything close. So, you might be in
trouble if you leave this in your car in a bad
neighborhood. It also seems pretty plain compared to the
Pioneer, Alpine and Eclipse double din decks but I'm sure
its also much cheaper.
Sony's MD Player Picture 1
Sony's MD Player Picture 2
Sony's MD Player Picture 3
Sony Double Din Headunit
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SOUNDSTREAM
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Soundstream replaced the Reference series amplifiers with the
new Rubicon (you can probably take a peak at www.soundstream.com if
you want to peak at what they look like). Some of the new
features include:
RUBI (rapid-use branched impulse) power supply delivers
enormous low impedance low frequency stability STACT
(Stabilized Apex Current Topology) architecture that reduces
power supply stress by 50% to significantly increase
amplifier efficiency while ensuring open response and
detailed imaging
Harmonic Bass Alignment that redirects second and third
harmonics to fundamental peaks at low frequencies for tight,
well defined bass response
Hawkins Bass Control which provides focused subwoofer boost
and routes otherwise wasted amplifier power to the audible
bandwidth (fixed, variable or parametric depending on model
number)
Trident Protection topology that safeguards against thermal,
dead short and voltage inconsistencies.
They also added a front "spoiler" (what they hell were they
thinking when they called it a spoiler?) that covers up the
wire connections. Needless to say, every Rubicon amp is
new. They have a Rubicon 1002, 702, 502, 302, 202 and 102 in
two channel models (similar to the Ref. 1000s, 700s, etc).
In the multi-channel, we have the 805, 604, 405, 404 and 204
(again, similar to the models from the reference series). The
Class A series has expanded. The Class A 5.2 (cheating... I
mean sleeping beauty as SS likes to refer to it) is rated at
1/4 watt x 2 at 4 ohms and puts out 500 watts into low
impedance (come on IASCA, what are you waiting for to step
in? Unless they do something, everyone is going to have to
come out with rating numbers like these to be able to get the
SPL crowd's business). They also released a Renoir to go
along with the Picasso (2 x 50 watts). Supposed to be an
audiophile piece (with all the goodies that the Picasso
has). The Class A gets the "spoilers" as well. Soundstream
also changed the Airbass remote to the Airbass2000 (ugly as
hell if you ask me, with none of the labels being labeled in
the brochure I picked up).
Soundstream also released a Rubicon subwoofer line. Looks a
lot like the Reference line but with a little different
cosmetic. The SPL speaker line looks unchanged as well
(although they have a "NEW FOR 1998 SPL" blurb at the bottom
of the page. New for 1998 is the SPL 170 and the SPL Mule.
The SPL 170 is the next step after the SPL 160. A 15" sub,
dual voice coil, two heatsinks attached to the backplate and
another between the frame and top plate, double stacked
magnet, threaded connectors that take up to a 8 gauge wire
are just some of the cool features. Retail for $450-$509.
The Mule was designed specifically for SPL competitions with
it putting out its highest output at 60 Hz. It also has a
heatsink, extended pole piece, flat spider, pulp cone, vented
pole piece and high temperature voice coil wire and
adhesives. It does have what appears to be a stamped frame,
which seems like a minus for the SPL sub category. Although
not new, the 2-ohm separates and coaxials seem like a great
idea. Buy a 2 ohm stable amp, buy some 2 ohm drivers and get
the most out of the amp. Some of the "biggest" news from
Soundstream was that they bought out Stewart Products (who
were manufacturing the amps for them). This "news" was
supposed to put SS back on track with the DaVinci and other
amps. (Oops, did I mention that the Tarantula wasn't
even mentioned in the new brochure.... Oops.) Funny thing is
that Stewart was making the amps all along from the D100s to
the Rubicons and everything in between (funny that they
don't mention that and Wade Stewart designed the Ref
500). So, it just seems SS found a scapegoat for some of its
quality control and missed ship dates problems by blaming
Stewart.
New Class A Soundstream
Amplifiers
New Rubicon Series
Amplifiers
New SPL170 Subwoofer
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STREETWIRES
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There's some new stuff here. A 7 cell battery that looked
like a capacitor bank, a battery with a built in distribution
block/fuse holder on top and some cool new looking
accessories. I saw a video that shows you why Streetwires is
the best shit out there. Talked to Phil for a little while.
He really knows his stuff, and had a few funny stories to
tell (like the customer whose cap was *busted* because the
light wouldn't come one (thought the little vent would
light up like one of those *eyes* in the Delco batteries).
A picture of the Streetwire
battery with a built in fuse and distribution
A fuse holder (bad
picture, I know) that holds 4 high current ANL blade
fuses.
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XTANT
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First off, Xtant released some new amplifiers. Not as
feature packed as the other stuff we are used to. No built
in fan, they are called the Marathon Music Machines. They
have a row of heatsinks across the topside (see attached
picture). Still has internal docking ports and most of the
features of the most expensive stuff is available as well,
only that you have to buy optional cards to do it. They have
three models, a mono 125-watt, a 2 x 50 watt and a 4 x 50
watt. The cosmetics are OK (the other stuff looks better).
They do include the same product warranty as the other stuff,
which is an added bonus (4-year parts and labor). They
don't have the RCA outputs like the A and X series amps or
the fan cooling system.
All the amps are going to start shipping with a polished
cover instead of the brushed stainless steel cover they have
now in a few weeks. The amps look VERY nice (probably
won't cost anymore either). I think that they have a new
A series amp coming out, a 3 channel 50x2 + 100x1 (not sure
if its new or not). The rest of the product line seems to be
the same to me. They did have Julian Zamora's Corvette in
the booth and another car (don't remember what it was).
Overall they had a nice display going on.
Three pictures of the new Xtant stuff, including the new M
series amps.
xtant amplfier picture 1
xtant amplfier picture 2
Xtant Amplfier Picture 3
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ZAPCO
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After all the cool stuff they released last year, I didn't
really seem much in the Zapco booth. I'm sure some people
got to take a close look at some of the stuff in the Zapco
booth, but being a non-Zapco guy, I didn't really get a
chance to see much of anything.
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NONE OF THE ABOVE
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There was tons of cool non-car audio gear. Panasonic
introduced a portable DVD player with a screen attached. It's
about the size of a small paperback book opened up. Part of
the appeal of DVD is the sound that comes with the standard,
but this is still quite a product.
In addition, it seems that just about everywhere I went they
had a huge HDTV flat screen TV. They had one in the Marantz
booth, in the Sony booth, in the Pioneer booth - you name it.
Very impressive, but very expensive.
One of the biggest problems seems to have been the
controversy surrounding the DVD vs. Divx format. In essence,
Divx plays DVD discs as well as Divx discs. Divx discs are
designed to be bought, taken home and played during a 48-hour
period. After that, you have to pay to see them again. In
addition, they want to have your Divx player hooked to a
phone line so they can bill you if you watch the movie
again. In addition, if you take the Divx movie to another
house during the 48-hour period, it won't play on another
Divx player without having to pay again. DVD players
won't play the new Divx media, so it looks like some
people will be left out in the cold. Seems that studios
wanted a bigger piece of the pie, so they decided to try to
grab the whole damn thing. This could just kill DVD or at
least seriously wound its chances. Leave it to the guys who
spend $200 million on a movie to whine that they aren't
making enough money.
I saw some cool stuff at the Alexis Park hotel. One home
speaker was a speaker with an 8" dome used in a bipolar
array. Sounded great and looked pretty impressive. I tried
a set of headphones that simulated surround sound with just 2
channel headphones. I swear these things had me fooled (the
stuff sounded great). Saw some wild looking audio gear (like
some huge amps, speakers and wild looking turntables). Some
pictures are enclosed of everything.
Yup, This is a turntable. Probably
costs more then my car and system combined. Probably don't
sound any better.
What's a CES report without Terri
Weigel?!?
These speakers are about as thick as
the brochure they handed out with them.
Try running these wires into
your door (they probably cost more then most people's stereos
as well).
Focal subs in a very stealth
enclosure in a Tahoe or Suburban.
This was in the DLS booth. DLS had this shipped over on a
boat for the show. The car is also the guys daily driver
(showed me the rock chips on it and everything).
DLS Peugot Picture 1
DLS Peugot Picture 2
DLS Peugot Picture 3
DLS Peugot Picture 4
A monster amp from this new company
called Chronic (I think its owned by Snoop Doggy Dog :P
)
Home audio guys can get this amp in
any one of these colors. (Damn I'm jealous..)
More of the same...
Monster home amps. One is standing besides a lamp and the
other has a CD in front of it to show scale.
Monster Amp Picture
Monster Amp Picture w/
CD
Speaking of color, Asian manufacturers
figured people would want these colors and patterns for
their woofers (one of them had a felty feel to it).
This was the car in the Tsunami booth (metra's new line of
audio cables). Allegedly, the car is a Sunfire or
Cavalier.
Tsunami Picture 1
Tsunami Picture 2
Tsunami Picture 3
Tsunami Picture 4
Tsunami Picture 5
Tsunami Picture 6
Interesting pictures. The new home audio velodyne line has
two voicecoils, one in the front and one in the rear. This
thing also has two spider assemblies,one in the regular spot,
and one hanging off the back of the magnet. Pretty wild
stuff.
Velodyne Picture 1
Velodyne Picture 2
And finally, more absurd stuff! Those speakerwire stands are
to keep the wires from picking up interference from the
earth's magnetic fields. These guys also featured a cable
using coax TV cable with an adaptor threaded on each end to
convert it into RCA cable! Guys working the room were very
nice (gave me a very in depth demo last year) but some of the
stuff is voodoo to me (and to scientists as well).
Spooky item photo!
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